Not the Hero Shot

But it’s My Favorite Frame from the D'USSÉ Reasonable Doubt Shoot

When I delivered the final images for the D’USSÉ Reasonable Doubt box set, there was one frame I kept going back to.

And it wasn’t the hero shot.

Normally, we'd want two weeks or more to prep a tabletop shoot like this. This time, we got the shoot confirmed on a Thursday, and the first image was due back to the client the following Thursday for notes. Our prop stylist worked his magic gathering as many props together as he could before shoot day. Once we were on set, there wasn't much room to overthink anything, and the pace didn't let up after the shoot, either. Retouching, approvals, and print deadlines all landed right on top of each other.

What I love about this frame is that it doesn’t need much explaining. The record does that work on its own. The bottle and collector’s box still get to be the focus.

The real challenge was scale. A vinyl record is a big shape. It could have easily taken over the image. So we kept the arrangement simple and gave everything room.

Later, in post, I was zoomed in at 200%, cleaning dust and fingerprints off the table while the image was already moving through approvals. Strange to think about now, but that same photograph is now part of the release.

That’s the part of this job that keeps the passion alive. The image you can’t stop thinking about isn’t always the one selected as the hero, and that’s okay. Sometimes it’s the frame where the concept, styling, and photography come together most clearly.